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Camberland

by A Paranoid King

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  • A collaboration with photographer Anna Rocchi. Photos taken during recording and recovery in Salop, Bath, Reykjavík, Búðir and London.

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1.
Trailhead 00:40
2.
Well he’s got you in raptures, getting gloucestered in the backyard Smiling and dancing like a boy Proclaim love in southpaw, beat it out on the back lawn Wiling and dancing like a boy Well you once had a true love but not anymore You gave your heart gladly like never before But now he won’t have you he says that you’re through Well thats alright my darling thats alright by you Spied the moment that you gave up, you were down out on your luck Crying and dancing like a boy Proclaim love like an outlaw, out on this encore Wiling and dancing like a boy Well he wrote you a letter, says he’s found a new girl You’ll dance at their wedding, parade, sing, unfurl You’ll drink to the bride-groom, as if you don’t care And if you don’t get home you’ll sleep on the stairs Because my paradise keeps me going And the wind in the wires keep showing that In all that I want and all that I do I’m better off without you
3.
A sad stork hits The North once more Spun out from the core all breathless and sore Once flayed in the streets one can never retreat Set controls for the rine of the British Summertime A mad stork hits the ward once more Head shaved for keepsakes Honourable L-plates ‘Where on earth have you been?’ I’ve been jonesing like a fiend All terrible seen for another slice of amitriptyline They say rep for the code but whats a nomad to do? 0121 354 01902? I got birth marks I ain’t even found yet Ain’t even been round yet Ain’t even pondered the shape of beat to come in your town yet I want to be the boy with no beard, shirt or shoes Who rides out to meet the Hellfyre crew And thats true My younger self once told me, once spoke in a dream ‘You’re as lost as I am clung on isms and ists I might be frightened and bored but I’m more so in your midst’ I fire back to say I know where my home is I don’t need to be hid I’m an Asexual Odinist and you’re just a lonely kid So a glad stork hits the floor once more Trounced up and down right left and around I’m struggling to tie my bolo down I give up, I give up on it But a man at the bar stumbles up just to say ‘Make the most of these days boy they’re the best you’ll ever see’ ..ok But when you’re fraught with discrepancy Bout familial dependency no-one wants rhymes bout millennial ascendancy I give up, I give up on it So a sad stork hits The North once more Return to the core, lore on land, land on lore The greatest feat I ever saw was sights on the rine Of the Great British Dreamtime
4.
Glymur 03:19
I woke early that day. The sun was up because it never set. My room led out onto a cramped spit and spiral staircase that traced the north face of the house down. I saw few guests around, and with dirty acrylics daubed ‘North Route 1’ on the carcass of an empty cardboard beer case. The plan was to get out from Reykjavík for the day and find Glymur. My approach to hitching remains the same. Straight road and hair down. So drivers think you’re a girl. The first were a keeno Italian family. A weathered lady, her son and his little boy. Chatty and bright, I tapped Hveragerði on their rudimentary map. Told them to take a diversion on their way back. They dropped me at the whale fjord intersection. Many tourists skip it so I waited a while for the next lift. The driver was Icelandic, dropping back a borrowed van after a Reykjavík wedding. He didn’t take me far. So few cars, I began to get a little stressed. Pacing east, barley fields reminded me of the continent, not a volcanic rock in the north atlantic. A roaring behind me, and over the crest came the largest offroader I’d ever seen. Climbing aboard the vehicle borrowed, we followed the road all the way to Glymur. You’d never know the turn for what it led to. No room or reason for tourbuses or the bored. There were a lot of midges though, scrambling down the dirt path a kind local picked me up for the last km. Said he’d lived here his whole life. At the trailhead I couldn’t spy the fall, just undergrowth and walls of lupin. Until caves through red rock lead me down a cliff. I came to a river, muddy and wild. A log across served as my only possible route. Once over I climbed and scurried up, higher and higher to the firmaments above, the sky a common treasury for all, each step uncovering more and more of Glymur’s infinite fall I haven’t had much happier days than that. No beard, shirt or shoes at the top, wading through the boundless water. The day I saw Glymur infinite and free.
5.
B'Møre 02:00
(Tom Waits) When you walk through the garden You gotta watch your back Well, I do beg your pardon Walk the straight and narrow track If you walk with Jesus He's gonna save your soul You gotta keep the devil Way down in the hole
6.
7.
Jest 05:41
Could you be? Could you be somebody? Because I want you to be, oh I want you to be. Could you be? Could you be somebody? ..and so the joke begins The cacophonous snap! of 400 Stella cans As the dervishes howl their bowels And this chaotic dichotomy swallows the monotony And some say That Isra transpires in a state of Fitra Surrounded by ways unpaved by disarray But they’ve obviously never been out on a Tuesday So I am the watcher, you did it too often You made a gesture, a kinesics key Oh can’t you see? You’re a liar You’re a liar to me ..and so the joke distorts Both misgivings coalesce While we sit on our hands and listen to the shipping forecast And force ontogeny to proclaim commodity And I never wished to see Steve Dahl’s pigeon virility team with a 4-to-the-floor mentality But its happened
8.
Deathsloe 04:20
We were caught in the deathsloe We were caught on the way- So you swing from the right side and then to the left and its Bereaved, bereft, sunnied cement, oh I guess you know The room sags as I enter a smile, walls fall away like you’re always on trial A good way to spend a while She said ‘be haunted my fellow and I’ll take care of the rest With my bad gateway and foggy documents’ Let proceedings commence So I swing from the right side and then to the left and its Chaos - bereaved and bereft We were caught in the deathsloe We were caught on the way- So you get out to Salop for a day or so and Hash out your woes down Ebenezer Row With my cunt crossed boss and your aunt’s spin teacher in tow
9.
We Are Evil 03:15
Turn me around, cause its impossible to go on like this You couldn’t honestly know how little you mean to me You couldn’t possibly see through the cloak of my dignity But I’ve never spilt blue on my collar So I just scream and holler We are evil (know what you say) We are evil (not today) We are evil (oh to be found) We are evil just turn me around Cause its impossible to go on like this Gazing back through the pines I see where crooked rooftops bide While soft, sunken sheaths of meat They fall and they gather round my feet I throw myself further into the throng The cuckoos call a coronation song I whistle a droning note along and cry
10.
Out to Salop 00:27
11.
Country Son 04:35
Stare down traffic manic laughing I’m so happy for now Wherever you are or wherever you sound I’ve found you I was heaving, hollering, wheeling, screaming so You were sealing, breathing, healing out on your own Could I give some more? I should give some more I should bang on your door Travel backwards into sadness I’m so shocked to find you Sealing, breathing, healing out on your own while I try to stave off all my woes As I give some more I should give some more I should bang on your door Built on my laptop twice with no shame 8 years bruised, blued through but thats ok Lizards in the sink hung on a brink let you know Get out to Salop just two towns left to go Should I give some more? I will give some more I will bang on your door Cause I got less blues to believe in Got more chance of freedom Got more friends to be seen with Got less calls to get lean with Got more time to receive with Got less hours on a mean shift Got one chance to get it done I am a country son
12.
Penda took the Severn Valley But I’ll need more to make me happy Bay of Biscay to the Mercian Way Old Knobbley to Oswestry So I raise up a Nithing Pole Take heed, take heart, take soul What we used to be, what we’re going to be, So its reap and sow, and we heave and we ho and we see The tree of melancholy hidden by reeds So its reap and sow, and we heave and ho and we reap And we leap, and we grow But the flame still flickers in the fen The Flame Still Flickers In The Fen Sing out you mongrels Bring out your strange They’ll never contain what they can’t rearrange There’s never a right way And there’s never a wrong Just whats held by Salopian strong So the fen to the forest The burbs to the trap Burn Plato burn Pablo From the land they attack

about

Camberland is a project of rot and rebirth: a journey exploring the effect of both on land and lore.

Researching local folkdom in Iceland 2016 Samuel Commander accidentally unearthed a vicious dormant spirit. Overcome by illness he was forced back to England. Following the example set by Iceland's Ásatrú he rediscovered the weight of England's own heathen legacy and began utilising this in his recovery.

The songs that came out along the way plot a flat circle from intense happy to terrible sad, a weak shell to a paranoid king. They ponder the possibility of another chapter for the land. One where platonism is left behind for an ever dancing embrace of England's mongrel, strange and mixed nature.

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Camberland is a collaboration with photographer Anna Rocchi and takes the form of a singles project, compilation LP and photo zine.

credits

released November 17, 2018

Recorded in Salop, Sheffield, Bergen, London and Reykjavík 17/18.

Featuring Alex Daniel on harmony (8) and e.guitar (12), Jakob Cunningham on skins (2, 5, 8, 12, 13), harmony (9), and organ (13), Art Terry on keys (8), Joelle Plowright on keys (10) and Old Ned on hurdy gurdy (9). All other instruments and vox by A Paranoid King. Mastered by Samuel D. Cover by Anna Rocchi.

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A Paranoid King Shrewsbury, UK

Rural Rock. Salop born, Bristol based.

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